Hello fellow WIFT-ers! To all of you returning members welcome back, and to all of you joining us for the first time, welcome! There have been all kinds of great things going on this summer at WIFT-AT and we’re excited for what’s coming up this fall.
-Britany Sparrow, Tidings Editor
Invest in WIFT-AT: Become a member!
When was the last time you went to a movie and shook your head at how the women were portrayed? Or watched the credits and it hit home that less than twenty per cent of the people working in film are female? We are offering you an opportunity to help make a positive change.
WIFT-AT is the newest chapter in an international organization, Women in Film and Television, designed to support and connect women working in screen-based industries. If you are joining us for the first time or are renewing, you are investing in the many women in your community who want to be on screen, in writers’ rooms, at film festivals and on set. You can do it right now, online, here. And as a volunteer organization, it is membership fees that sustain our activities.
In the last two years, WIFT-AT has brought to the east coast some of the most successful women working in film and TV in North America, Patricia Rozema and Kari Skogland to name a couple, to inspire and train our Atlantic female filmmakers. We have celebrated our own female filmmakers by handing out Wave Awards at our annual Women Making Waves weekend in Halifax. We have partnered with regional film festivals and have arranged screenings of work by female filmmakers in Charlottetown, Fredericton, Moncton and Halifax and have even established a film club in St. John’s. This spring we launched a new award for an emerging filmmaker, the All Access Pass award. And we’re just getting started.
Our chapter was formed three years ago. We are already more than a hundred members strong. If you join us by renewing or purchasing a membership, your contribution will help our not-for-profit organization continue to grow. And please join us for our celebration of Atlantic Women in the Screen Industry reception, Sunday, September 16, 6- 8 pm at the Lord Nelson Hotel, as part of the Atlantic Film Festival, right after the WIFT-AT AGM. WE would love to see you there.
The number of women working in film and television is small in number but big in influence. One recent study showed that when a female director is at the helm, the number of women employed on a film jumped by fifty per cent.
That’s a great return on your investment. Please consider joining us.
Christine McLean, Chair, WIFT membership committee
Our Annual General Meeting and Event at The Atlantic Film Festival will be held on Sunday, September 16th at 4pm in the Britannia Room at the Lord Nelson Hotel in Halifax. Please join us as we elect a new Board of Directors, introduce some exciting new programming initiatives and roll out our three-year strategic plan! And once the business is done, it’s time to party! C’mon downstairs to the AFF Super Channel Festival Lounge to celebrate WIFT and everyone who has helped make 2011-12 such a successful year!
Women in Film and Television – Atlantic has awarded its inaugural All Access Pass Award to Nova Scotia filmmaker Ashley McKenzie. The prestigious award offers McKenzie a delegate pass to every major film festival – that’s seven festivals – in the Atlantic Provinces over the next year. It also includes an annual membership in WIFT-AT, mentorship at every festival with a senior WIFT-AT representative, a weekend pass to the Women Making Waves Conference in March 2013, select accommodations plus a $1000 cash prize.
“There’s no other award like this in the country,” says WIFT-AT Board Chair Jan Miller. “This is the first of its kind and we’re thrilled to offer it.”
McKenzie says the award is perfect for her. “The All Access Pass is such an exciting initiative. The award will enable me to attend festivals in the Atlantic region with ease, increasing exposure for my new short film “When You Sleep” and building connections for the future.”
Earlier this year McKenzie’s short film “When You Sleep” was selected as part of Telefilm’s Canada: Not Short On Talent showcase at the Cannes Film Festival. McKenzie was the only Maritime filmmaker whose work was selected for the screening program.
“Festivals are such incredible places to share your work, learn, and be inspired,” says McKenzie. “I always want to present my films in person, but finding the means to do so is a challenge at this stage of my career. This is a perfect opportunity to connect more with the East Coast, the place where I love to live and make movies.”
McKenzie recently moved home to New Waterford, Cape Breton to begin development on her next short film, “Stray”, which she plans to shoot in November.
“I connected with cinematographer Stephanie Weber Biron at the St. John’sInternational Women’s Film Festival in 2010, went on to work with her on “When YouSleep”, and will continue to collaborate with her in the future,” says McKenzie. “It is opportunities such asthese that make attending festivals so beneficial to my future plans.”
WIFT-AT gives the All Access Pass Award annually to a deserving female working in screen-based media whose career will be assisted by the award.
As the 2012 Island Media Arts Festival drew to a close, and happy with the decision that we, the committee, had made in choosing a recipient for the 2012 WIFT-AT Salute Award, I stood at the back of the theatre and daintily shoved a piece of celery in my mouth. As I gnawed away on my celery, I watched Mille Clarkes, last year’s recipient, go up on stage to announce this year’s winner. Then I heard her say my name. I stopped chewing. “Wha? That’s not what we agreed on,’’ I thought. The announcement that I was the recipient of the award was received by lively applause and the committee members were quite pleased that they had managed to distract me and keep it a surprise. I grabbed a napkin, spit out the celery and aimed for a trash can. As I made my way up to the stage, my mind went blank. I couldn’t think of anything to say except “Thank you.’’ So, I will now take this opportunity to say what I should have said that night: “I used to think that awards were kind of pointless. After all, when you’re passionate about something, you just naturally do what needs doing and to single out one person seemed somehow wrong to me. Then one day, I received an award and my attitude changed completely. It’s not only a thrill to be recognized by your peers, but the validation that it brings spurs you on to do even more and work harder at making a difference. Being a member of WIFT-AT has led me to exciting new contacts and a wealth of resources that I never knew were out there, and receiving an award of appreciation like this is truly an honour. Again, thank you, and I look forward to another year full of surprises and new and exciting projects.”
One of Life’s Many Surprises is written by Louise Lalonde, recipient of the 2012 WIFT-AT Salute Award. Louise is Project Manager of the PEI Screenwriters’ Bootcamp, President of the Charlottetown Film Society, and a member of the Island Film Factory. For more info, visit www.peiscreenwritersbootcamp.net or www.islandfilmfactory.wordpress.com or www.facebook.com/TheCharlottetownFilmSociety
This has been a busy spring and summer for women producers in the Newfoundland & Labrador feature film industry. First up was Rock Island’s feature film Hold Fast, produced by Rosemary House and hot on its heels was a feature comedy co-produced by Barbara Doran of Morag Loves Company.
Based on a Quebecois hit film (known in Anglo Canada as Seducing Doctor Lewis), The Grand Seduction features a slew of Newfoundland performers in the supporting cast of characters led by Brendan Gleeson and Gordon Pinsent. As a co-production with MAX Films in Quebec, the mix of Anglo and Franco crew have been moving around the Bonavista peninsula in glorious weather, hopping from Red Cliff, Tickle Cove, New Bonaventure, Old Bonaventure to Champney’s. I spent a few weeks working on the wardrobe crew (with locals Peggy Hogan, Charlotte Reid, Heather Power, and Allison Hicks) in early August and was pretty impressed with the NL women working all around me in almost every department- from location manager Lynn Andrews to makeup artist Mackenzie Geehan, from electrician Flora Planchat to unit PA Renee Callahan, from office PA Crystal Parsons to assistant production coordinator Anita Reilly-McGee. Under the direction of Don McKellar, performers such as Mary Walsh, Cathy Jones, Sara Tilley, Rhonda Rogers, Michelle Rex Bailey, Sheila Redmond and Janet Edmonds are among the large cast.
For Barbara Doran, The Grand Seduction is just the latest feature film she’s co-produced in the past 5 years. Young Triffie was director Mary Walsh’s feature debut and 2009’s Love & Savagery led to a Genie award for Best Supporting Actress Martha Burns. Before that, Doran co-produced the award-winning international TV mini-series Random Passage, an 8-hour production that stands out as one of the greatest challenges and achievements in her long, successful career. When she’s not producing great drama, she writes and directs documentaries such as Life Below Zero, To Dublin With Love, Still Rowdy After All These Years, When Women Kill, and Phantoms of the French Shore. Her talent for pulling together productions ranging from big budget to small scale has been a contributing factor in her success but those who know her best recognize that her passion for a good story is what accounts for her longevity in a competitive industry that just gets tougher each year. Filming continues to the end of September on this latest production.
Newfoundland Feature Film: The Grand Seduction is written by Ruth Lawrence. Ruth is an actor/writer/filmmaker whose most recent film Two Square Feet, starring Jeanne Beker, won the 2011 RBC Michelle Jackson Award and will debut at the St. John’s International Women’s Film Festival in October 2012. www.bluepinionfilms.com
A Top Ten “To Do” for Writing a Film Grant – Part 1
One evening in June, WIFT-AT Board Member Irene Duma and I met with St. John’s filmmaker Anita McGee to see if we could put together a guide to approaching the dreaded funding application.
A couple of hours and two bottles of wine later, we had come up with ten tips that we felt would give any new or experienced grant writer an edge on the competition. This list is a conglomerate of our successes and failures as applicants, with invaluable insider tips from Anita, who has sat on juries since Jesus was a cowboy and knows her stuff!
Here are the first five gems:
#1 – Read the Application
The most valuable advice I’ve ever received on grant writing came from the late Robbie Thomas and it was this: read and follow the application guidelines.
It’s surprising how few people take the time to simply read the application. It tells you pretty much everything you need to know, from who is eligible and what support materials to provide, to how many paragraphs you should write about shooting your first short in Cupids this summer.
Read the guidelines. Do what they say. And if you don’t understand them, call the funder and ask lots of questions.
A thorough reading of the application guidelines is a good way to begin to…
#2 – Get to Know Your Audience
Check out the website of your potential funder. Read their mandate, their mission statement and their staff bios. Are their goals in line with yours? Tell them so.
Pay close attention to the language used. Is it formal or informal? What does it tell you about them and what they want to hear?
A little research will give you a good sense of who you’re speaking with, and allow you to tailor your application accordingly.
# 3 – Know That Your Audience Doesn’t Know You
If you’re in or around the local arts community, you might take for granted that people know who you are and that they’ve seen your work. You shouldn’t.
“Newfoundlanders are bad at understanding that nobody knows us,” says Anita. “We’re not used to having to convey a sense of who we are as artists in our community.”
In a competitive arts environment where Anita says “even Guy Maddin would have to fight in a crowd”, it’s important to produce a professional and complete application each time around. Like a newbie.
Because “you’re from here” isn’t enough.
#4 Know Your Project
The ability to speak to your project can make or break your application. What is your vision? What is your plan? Why, and why not?
You know why you’re here. You know why you’re writing the application. This is your chance to take an audience on a tour of your concept, and you can be creative while doing it. In fact, it’s kind of expected!
“Be articulate. Be clear and concise, not repetitive,” says Anita. “Paint a picture. Write it as though you’re writing a movie and the words you’re writing are evoking a sense of what you’re doing.”
#5 – Build a network, or a nest… and charge admission! You might be famous someday.
Just kidding about the admission (and probably the fame as well! here’s hoping!), but it’s important to surround yourself with folks who are supportive of your work and to spend time in environments that foster creativity.
As you make alliances with others in your field, opportunities for collaborations and partnerships appear, and this can spill over into proposal writing.
So foster these relationships! Having support not only builds faith in your project, but it helps you keep faith when the going gets tough.
Join us next month for tips #6-10!
This Top Ten List was compiled by Tracey Waddleton. Tracey was the primary grant-writer for and manager of the Newfoundland and Labrador Folk Arts Society for 2010 and 2011. She provides writing, editing and administrative services from the downtown home she shares with her two cats, Emma and Sam, and studies English at Memorial University of Newfoundland.
The 2012 Praxis Summer Screenplay Readings
In November 2011, I was one of eight Canadian writers chosen for the Praxis Screenplay Competition with my dramatic feature film script, House of Matches. I travelled from Halifax to Vancouver, where I had a number of one-on-one meetings with a writing advisor, award-winning novelist and screenwriter Peter Behrens. In preparation for our working together, I read Peter’s novel The Law of Dreams and fell in love with his epic, poetic story. On the plane I felt jittery, anticipating his response to my script. When we met, he told me right away that he was pleased to be reading the work of a real writer. A real writer. For a beginner like myself, this kind of comment is almost enough. I had a strong impulse to turn right around and go home to my cozy writers’ cave, vindicated. But I stayed. Over the course of four days, Peter and I would meet and discuss the script, I would leave and work intensely on a new draft, send it to him and we would meet again. In addition to having scheduled these one-on-one meetings, Praxis hosted a production meeting for all eight writers. A guest producer went around the table and gave each of us feedback about our scripts. By the end of that intensive week, I flew home to Halifax with what felt like an exciting new draft.
To my delight, I was invited back to Praxis, along with five other writers from the original eight: Kevin Doree, Andre Harden, Jesse Heffring, John Burke and Geoff Redknap. In June 2012, we returned to Vancouver for the Praxis Summer Readings. Over the course of three days, we heard professionally cast table readings of our screenplays, two on each day. A script would be read by actors, the audience and actors would have a discussion, we would break for lunch, and then there would be a second reading and discussion in the afternoon. As the House of Matches reading began, I was so nervous and excited I had to remind myself to breathe. Lori Triolo, the Praxis casting director who cast all six scripts, did an amazing job. As the actors began speaking, giving voice and passion to the words I printed on paper, I felt as though I secretly had multiple personality disorder and someone had taken the voices in my head and liberated them.
Each table reading had an audience of about twenty people: the four writing advisors, the four script editor interns, Praxis Director Patricia Gruben, Program Assistant Liz Cairns, my five fellow screenwriters, guest producer Christine Haebler (Screen Siren Pictures) and Telefilm’s Lauren Davis. After each reading, the entire audience and the actors engaged in a rousing discussion about plot, character, theme, tone – all the good stuff you want people to be talking about when it comes to screenwriting. It felt thrilling and invigorating and just a tiny bit decedent to be talking about nothing but writing, day after day. I learned a great deal about giving feedback by listening to the writing advisors. They responded to the readings with great consideration, wisdom and patience. One screenplay involving a mix of reality and a fantasy world and after the reading it became apparent that the audience was somewhat confused about the plot. Then one of the advisors, Lynne Stopkewich, suggested that perhaps his story was confusing to us because perhaps he wasn’t clear about the laws of this fantasy world. She suggested that the more he understood and was clear about those laws, the more we would understand the story. It was an eloquent way to cut to the heart of the issue and propose a way to make the story stronger. When it was time to discuss House of Matches, it was thrilling and surreal to have a whole group of people talking about story issues and details that had, until that point, only been swimming around in the fish tank of my mind – sometimes with explosive splashes and sometimes in tiny, murky circles. Thoughtful suggestions were made. Strong opinions were expressed. People took sides! The way I see it, you could go in the direction of a Mike Leigh film, or you could go Hollywood, but you can’t do both. I took notes and regretted that I’ve switched off every Mike Leigh film I’ve ever tried to watch.
Near the end of the discussion, one of the House of Actors actors, Tim Perez, suddenly made an impassioned speech that I will never forget. It went something like this:
“You know, I would just like to say – this story is the story of my life. It’s the story of my mother and how she struggled and suffered to raise me in this country, it’s the story of all the Latina girls I see fighting to get by, raising kids, dealing with the immense obstacles in their lives; the addiction, the oppression, the absent fathers. Zoe’s got two kids and she’s so young and she’s so poor and all over the place and dealing with so much. We meet her and we think, She’s not gonna make it. She has too much to contend with – she just won’t make it. And then guess what? She does. But she doesn’t win the World Cup or become a soccer superstar or anything like that – she works hard and doesn’t give up and she goes to school. She pulls herself out of poverty. This is the story we need to see, this is the story we want to see. We want to see these girls make it. So I hear you giving Jessica suggestions about structure and characters and that’s great – say whatever you want say if you think it will make it better. But this story is important and this film needs to be made because it’s real.”
As Tim left the room, he patted me on the shoulder, thanked me, and wished me luck. My story had touched him so deeply it made him consider his mother’s life journey. As a writer, this is what I hope for.
I was lucky enough to be approached by two other writing advisors, Arne Olsen and Michael Miner, who each gave me generous, detailed feedback about House of Matches. Additionally, each Praxis writer was given a one hour meeting with guest producer Christine Haebler. I took notes intently the whole week.
On the final day, I met with Peter Behrens and Gorrman Lee, the story editor intern who had been assigned to House of Matches. We discussed the script and the feedback that had been given at the reading. Peter offered me new ideas and responded to my questions and concerns that had been churned up after days of notes. As I was leaving, Peter wished me luck with the new draft. He reminded me of how much he loves the story and my writing and encouraged me to keep at it and stay true to my vision. Elated and inspired, I headed for the skytrain.
The 2012 Praxis Summer Screenplay Readings was written by Jessica Marsh. Jessica wrote the screenplay for “Wake”, the 2010 winner of the Canadian Broadcasting Corporation’s Short Film Face Off. She is a 2012 Praxis Screenwriting Centre Fellow and is hard at work on a post-Praxis draft of her feature film script, House of Matches. She lives in Halifax, Nova Scotia.
I’ve loved words for as long as I can remember. I started talking as early as possible, could read by the time I was in pre-school, and wrote my first short story at the age of 6. By high school, I had written a novel, and although it was definitely lacking in substance, it solidified that above all things, I loved to tell stories. I was also very involved in theatre, working backstage, acting small parts, and writing one act plays for class. I loved the team work, the collaboration, and the connection you created with people, feeling that you had gone to battle together and no one else could ever understand. When I left high school, I was unsure if I’d ever get to be a part of something so amazing again.
When I turned 20, I did the craziest thing I’ve ever done: I moved across the country from Vernon, BC to Fredericton, NB to attend UNB. I registered for an Introduction to Film class, which turned out to be a life defining moment. It was love at first sight. After graduating from UNB in 2006 with a Bachelor of Arts majoring in English and minoring Creative Writing and a Certificate in Film Production, I joined the New Brunswick Filmmakers’ Co-operative and haven’t slowed down since.
One of the greatest thrills of my life was when I was given the opportunity to direct my first film, The Perfect Cliché, in 2007. I was awarded the Short Film Venture Grant in 2008 for my second film, The Morning After, and Emily Brennan won the Best Actress in a Comedy Award at SWFF for my third film, True Hollywood Romance. My fourth film, Gamers: A Love Story, starring Kyle Smith and Becky Forbes (shown), was nominated for acting and screenwriting awards at the 2011 SWFF, and has recently been accepted to the 2012 Atlantic Film Festival.
I’ve worked on over 20 independent short films as Production Manager, Script Supervisor, and Assistant Director, putting in hundreds of volunteer hours helping new and experienced filmmakers create their films on a shoestring budget. I also sit on the Board of Directors for the NBFC, teach workshops through the NBFC workshop program in Fredericton, Moncton, and Saint John, and I have been one of the Silver Wave Film Festival organizers since 2008. In 2011 I was awarded a Silver Wave Award for Contribution to the New Brunswick Film Industry in a Volunteer Capacity, alongside my longtime friend and mentor, Colin Smart.
In 2011, I was fortunate enough to be awarded the NB Joy Award for my fifth film, Chopsticks. This film took me where I had never gone before: I stripped away as many of the words as I could, and created relationships between the characters with looks, touches, and everything that was left unsaid. It was terrifying, and one of the most incredible experiences I’ve ever had on set. We’re in post production now, and I have a long winter ahead of me. And I couldn’t be happier about it.
- WIFT-AT member Eva Madden’s short film “Pose“, which was made when Eve was the AFCOOP 2012 Filmmaker in Residence, has been nominated in The Coast’s Best of Halifax 2012. POSE is nominated for Best Film (short,feature,other) and Eva Madden has been nominated for Best Filmmaker. Eva is the only female nominated in both categories.
Pose is an experimental documentary that explores the visceral experience of posing as a nude model, while in the process revealing a character study in contrast and contradiction. Through the eyes of artist and raconteur Dave Cullen, the film explores the unique experience of an artist setting down his pencils and posing as a nude model.
- Noted as a top festival in Canada, the 32nd Atlantic Film Festival will be held from September13th – 20th in Halifax. Large enough to attract the world’s most notable actors, directors and producers, but intimate enough to be innovative and flexible in its approach to the changing needs of our industry, audience and the communities we serve, the AFF provides an unpretentious atmosphere for watching some of the best international, Canadian and Atlantic Canadian films, while showcasing some of the best musical talent the region has to offer. Keep an eye out for screenings from a number of WIFT-AT members such as Ashley McKenzie and Lara Cassidy. A full program guide can be found here.
Prismatic Festival and Conference – Screenings September 14-29
Prismatic brings new works by culturally diverse artists into the spotlight. The mandate of this initiative is to promote the pursuit of artistic excellence through collaboration, innovation and dialogue.
FILM 5 2012/13 Call for Applications – Application Deadline – October 1st 2012. FILM 5 is a professional film-training program for Writers, Directors and Producers culminating in the opportunity to produce a five-minute film. The program provides:
Cash and services to produce a five-minute filmMentorship and instruction from industry professionalsRelationship building opportunities with the local film communityApplication guidelines and form are available on the AFCOOP web-site: www.afcoop.caFILM 5 Info Session and Networking – Wednesday, Sept. 5th 6pm, AFCOOP Office, 5663 Cornwallis Street, Suite 101. Come find out more about the program and meet with potential writers, directors and producers!
AFCOOP’s Fall General Meeting – Tuesday October 2nd, 6:30pmAFCOOP Office, 5663 Cornwallis Street, Suite 101
Full Members must send regrets to firstname.lastname@example.org
The meeting is open to the public and anyone interested in AFCOOP is welcome to attend! If you would like to become a Full Member of the co-op please contact Greg in advance of the meeting to confirm your eligibility:email@example.com. AFCOOP GM’s are a great networking opportunity for folks in the film and media arts communities. Come find out what we’ve been up to at the co-op and learn a bit about what the next season holds.
Arts Nova Scotia Funding- Grants to Individuals December 15
The program supports the creation of new works by professional artists in all disciplines including fine crafts, literary, visual, media and performing arts. It also promotes a broad understanding and appreciation of art and artists through professional development, creation and presentation of work. Individual artists may submit one application per grant per deadline.
To encourage equitable distribution of funds, artists can only receive one Creation Grant in a 12-month period.
NS Pulse is compiled by Chris Pauley. Chris is a composer and the owner/operator of Evil Twin Music. He has been playing music since he was a kid, and writing music for the media for fifteen years. Check out his work at www.eviltwinmusic.ca, on Facebook at https://www.facebook.com/EvilTwinMusic and on Twitter @EvilTwinMusic.
It’s been a busy and exciting summer for Joceline Paczoski. She recently completed work on a 4-part soap opera web series called “Hallmark Family” created by the talented Digital Filmmaking students at the Centre for Arts and Technology in Fredericton, NB. Joceline plays Lily Lars, a religious mom whose mundane world begins to unravel. Check out all the drama for yourself on YouTube. Also, the SWFF 2011 award-winning comedy, “Thanksgiving Wishes,” in which Joceline plays Mrs. Kelson, has been selected to screen at the Toronto Independent Film Festival. Director/writer Denis Sweet did such a great job on this film, congrats to the entire cast and crew.
Currently, Joceline is editing a screenplay that she has written and hopes to begin filming it next spring. She is definitely looking forward to many more acting opportunities right here in Atlantic Canada. Stay tuned!
Christine McLean was story editor on The Paramount, a documentary produced by Hemmings House Pictures that was broadcast on CBC Maritimes this past Saturday night. She was also script writer and narrator on the documentary, It Was the Dance, produced and directed by Semra Yuxel of Acrolect International, slated for broadcast this fall on CBC. Christine hosted CBC Radio’s Information Morning in Fredericton for the past month and this week, she is hosting Information Morning in Saint John.
Gretchen Kelbaugh and her company, Story First Productions, are delighted to have landed a great distributor, Moving Images Distribution, for several of her educational videos. They plan to market both Menocracy; Gender Representation in Government (a 2012 version) and the five-part series 80/20; the Developing World in the USA and Canada. 80/20 is already a highly successful co-production with Rowan Ridge Productions, having sold widely across Canada to high schools, universities and NGOs.
This summer has been very busy for Nathalie Rayne. She started a new job at the beginning of the summer with the New Brunswick Arts Board as Marketing, Communications and Translation Specialist. You can find her weekdays sitting at her desk working on Facebook and Twitter posts and translating documents. Every once in awhile she takes a break to put together shelving from IKEA . Everyone should drop by her office at 61 Carleton Street in Fredericton, NB to see how great their office renos look and to talk to a program officer about NB grant programs.
Nathalie’s husband Tim Rayne directed two music videos that she edited. One for local metal band Hero’s Last Right, which was shot in the basement at the Charlotte Street Art Center and the Blackbox Theatre at STU in Fredericton. The other was for Winnipeg singer Ingrid Gatin, which was shot in the green screen studio at Outreach Productions (special thanks to them). Thanks to the project producer Arthur Thomson, DP Jeff Crawford and the rest of our crews from both productions. Nathalie and Tim always appreciate everyone’s hard work and dedication!
Nathalie has also been asked by the NB Film Co-op to edit the Cultural Capital documentary about Acadians in Fredericton. She has been working on that for a few months.
All three of these projects will be submitted to the Silver Wave Film Festival on September 4th.
In between all this, Nathalie and Tim adopted their lovely dog Fraggle from the SPCA, started a weekly radio show “East Coast Stream” which is all about east coast music and can be heard Thursdays at 4pm on 97.9 FM CHSR (or on their website as a podcast), and are in pre- production on a local food documentary which will be shot over the winter and next summer.
After script writing for almost two years and delaying production twice, Britany Sparrow has finished principal photography on her NB Joy Award winning film Chopsticks. The film, starring Elizabeth Goodyear, Andrew Long, and Leah Warren, tells the story of a woman who is forced to re-evaluate her life choices and her marriage after re-connecting with an old friend. Chopsticks will be edited over the fall and winter months by Andre Goguen and by the Postman editing team.
Congratulations to NBFC ED Tony Merzetti (Bliss Carman: Divine Force of Nature), andmembers Joel Thompson (Boxface) and Britany Sparrow (Gamers: A Love Story) who had their films accepted into the 2012 Atlantic Film Festival. These films were all nominated for or won awards at the 2011 Silver Wave Film Festival.
NB Pulse is compiled by Cat LeBlanc. Cat has been membership services director at the New Brunswick Filmmakers’ Co-operative for 17 years and is co-organizer of the annual Silver Wave Film Festival. She also does production management/catering and music for independent shorts for her volunteer work. Check out her music work at: http://www.nbfilmcoop.com/Catinahatmusic/Welcome.html
- Sara Tilley is an actor, writer, Pochinko clown instructor and award-winning novelist. She’s spending part of her summer working on a feature film shooting in the Trinity Bay area in Newfoundland. I caught up with her while on the set:
“I have been cast as Miriam Mahoney in the film The Grand Seduction, directed by Don McKellar, which is shooting in Trinity Bay this summer and fall. Miriam is married to Bob Mahoney (Pete Soucy) and has nine children, with another on the way. Her dream: to never be pregnant again. I have had a lot of fun on set so far working with my ‘kids’, though I admit I am no expert on quieting crying babies when the cameras are rolling. It’s been great to work on such a large production and to feel the ensemble energy of this piece – which is ultimately about the town itself, and all us little folks in it.”
The Fishing for the Future Film Festival runs in Norris Point, Gros Morne National Park from September 28-30, 2012. Five screenings along with panels, workshops, discussions, art exhibits and an online gallery will celebrate coastal communities, oceans, marine fisheries and aquaculture in Canada and around the world. www.fishingforthefuturefilmfestival.ca
The 23rd Annual St. John’s International Women’s Film Festival provides fantastic screenings, workshops, panels, forums, and meet and greets for a low cost during the week of October 16-20, 2012. www.womensfilmfestival.com
NL Pulse is compiled by Ruth Lawrence. Ruth is an actor/writer/filmmaker whose most recent film Two Square Feet, starring Jeanne Beker, won the 2011 RBC Michelle Jackson Award and will debut at the St. John’s International Women’s Film Festival in October 2012. www.bluepinionfilms.com
- Gretha Rose, owner of Cellar Door Productions and co-owner of FortuneIT Ltd. is currently in post production on a new television series for the Food Network: ‘Chef Michael’s Kitchen’.
Join Chef Michael Smith as he goes back to basics while stirring in freestyle ideas along the way. Watch as he shares his favourite home-style recipes, ingredients and cooking techniques and learn how to add a twist or two to your cooking. See how easy it is to impress yourself in your own kitchen because once you know the rules, you can break them!
Chef Michael’s Kitchen was filmed in beautiful Fortune, Prince Edward Island over the spring with a crew comprised of Maritime film professionals, the majority of which were from PEI. ‘Chef Michael’s Kitchen’ airs on the Food Network on August 27th at 6 pm EST.
- The newly formed Charlottetown Film Society is now running City Cinema in Charlottetown and has officially launched its fundraising campaign with a raffle. First prize is a trip for two to TIFF for two days in September along with a pass to the Closing Night Gala, and second prize is a one year of free movies (2 per week), and lots of other prizes. Tickets are available at City Cinema or email firstname.lastname@example.org.
City Cinema is hosting a special evening of film on September 23 with guest Thom Fitzgerald, Director of Cloudburst. His film will be the very last film screened on film at City Cinema as they are going digital. There will be two screenings: one at 5 p.m. and one at 7 p.m. Tickets are $30 and there will be a reception at the Haviland Club after so that people can meet Thom and enjoy some food and libation.
- Harmony Wagner of Periscope Pictures was the recipient of the 2012 CBC 3 -2- 1 Award at this year’s Island Media Arts Festival. The award, along with funding from PEI Council of the Arts, will go toward the production of the short film QUEEN OF THE CROWS, set to begin shooting in Charlottetown this fall. Harmony’s directorial debut, VAST recently screened at the Nickel Film Festival.
- As part of Culture Days activities and with the support of Culture PEI, the Charlottetown Film Society in partnership with the Island Media Arts Coop is hosting the first of a series of Sunday afternoon screenings that will focus on Island-made films.
Two forty-minute screenings will be on offer beginning at 2 p.m. on Sunday, September 30, 2012 at City Cinema on King Street. The public is invited free of charge to view local filmmakers’ works in a theatre setting and cast their vote for one of the People’s Choice Awards.
Cash prizes will be awarded in four categories for Best of Short Shorts: Platinum, Gold, Silver and Bronze. A complete list of films is available on our web page or for more information and a complete list of films, please visit: The Charlottetown Film Society Inc. on Facebook.
The PEI Pulse is compiled by Millefiore Clarkes. Mille is a Producer/Editor/Director with her company One Thousand Flowers Productions. She has been creating documentaries, music videos, web series, and experimental work for a number of years. Check out her work at www.onethousandflowers.tv Mille’s work has been screened at festivals such as The Vimeo Film Festival, The Atlantic Film Festival, and RIDM and she has won the Music Video of the Year Award from MusicPEI as well as the WIFT-AT Salute Award.
What’s Happening at WIFT-AT..and beyond.
Meet us at the WIFT-AT AGM! Our Annual General Meeting and Event at The Atlantic Film Festival will be held on Sunday, September 16, 2012 at 4pm in the Britannia Room at the Lord Nelson Hotel in Halifax.
- WIFT-AT is inviting submissions for the 2013 WIFTI Showcase. WIFTI will be accepting two films from every eligible Chapter across the globe. From there, their selection committee and Showcase Producer will be choosing one film to represent each Chapter in the 2013 Showcase. Last year’s entry from WIFT-AT was Megan Wennberg’s FLUSH.
Eligible films will have a completion date after 2010. They should be under 15 minutes in length and should highlight the work of Women in two of the following categories; Director, Producer, Actor, Writer, Director of Photography, Animator, and/or Editor. First preference will be given to film submissions directed by Women. We encourage submissions featuring strong female characters and stories about women. Submissions will ONLY be accepted from current WIFT-AT members (you may join now by going here)
Send a DVD copy of your film to the WIFT-AT office. Please include a cover letter indicating:
-The name and gender of your Director, Producer, Actor, Writer, Director of Photography, Animator, and/or Editor.
-The run time (15 min max)
-Date of Completion (after 2010)
-A short synopsis
-Full contact info
Submissions must be received by Friday, September 21, 2012. Notification will be provided via email by October 5, 2012.
The Canada Council for the Arts provides research, creation, production and dissemination support to artists, organizations, groups and independent collectives in film, video, new media and audio. The next deadline is October 1, 2012. www.canadacouncil.ca/mediaarts/
- Bravo!FACT provides support and funding for short films and music videos, see www.bravofact.comfor more details. There are four deadlines per year and the next one for 2012 is December 7.
- The Linda Joy Awards support the work of emerging media artists, as well as established artists who wish to explore a new genre or medium in Atlantic Canada. Check the website for upcoming deadlines for your province. http://www.lindajoy.com/
Telefilm Canada’s has officially launched its new Micro-Budget Feature Film program. Through the program, 23 partnering organizations will each recommend one project and team per year to be sent to the national selection committee at Telefilm. From there, Telefilm will select eight to ten projects to receive a non-repayable financial contribution of up to $120,000 per project. The project must be a fictional or a documentary feature length film destined for distribution to the public on one or more platforms.
Partners include the Atlantic Filmmakers Cooperative, the Island Media Arts Cooperative, the New Brunswick Filmmakers’ Co-operative, the Newfoundland Independent Filmmakers Co- operative, and NSCAD University. Please contact your local film co-op or organization for specific details on how to apply.
Applicants to the Recommendation Phase are encouraged to familiarize themselves with the Micro-Budget Production Program Guidelines prior to applying to ensure they and their project are fully eligible to apply to the Program. The Guidelines and FAQ available on Telefilm’s website.
Apply now for NSI Features First deadline Sept 12, 2012